Jumat, 28 November 2014

[R687.Ebook] Download Software Design (2nd Edition), by David Budgen

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Software Design (2nd Edition), by David Budgen

Software Design (2nd Edition), by David Budgen



Software Design (2nd Edition), by David Budgen

Download Software Design (2nd Edition), by David Budgen

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Software Design (2nd Edition), by David Budgen

Software Design provides a balanced view of the many and varied software design methodologies most widely used by practitioners.� By being aware of the strengths and limitations of each method, a student is better able to judge which to adopt when working in the field. The book is also valuable for software engineers and project managers who need an objective guide to the state of the art in this area. �The text provides a general overview of software design within the context of software development and also of more general thinking about design issues. It examines the nature of design activities, as well as their applications within software development.

  • Sales Rank: #2031652 in Books
  • Published on: 2003-05-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 1.20" w x 6.70" l, 1.68 pounds
  • Binding: Hardcover
  • 400 pages

From the Back Cover

[Shelving category] Software Engineering

Software design is a multi-disciplinary activity that develops tools through effective communication of ideas and the use of engineering practices. This text provides an overview and perspective of software design within the context of software development and also of more general thinking about design issues. It examines the nature of design activities, as well as their applications within software development, providing the reader with:

  • a non-proprietary view of design issues
  • an overview of design representation forms
  • a concise review of design practices based on the more widely used design methods
  • a strong architectural framework

A particular feature is the strong evidence-based approach used in the analysis and assessment of these issues.

Since the first edition, much progress has been made in the area of software design, with the major changes to the new edition being:

  • A much stronger recognition of the role played by the concept of architectural style in helping to structure ideas about design. This is used to provide an underpinning framework throughout the second edition.
  • The inclusion of new forms of software and of new approaches to design, ranging from agile methods and design patterns through to the component concept and the use of the Unified Modeling Language (UML).
  • An improved formalism to support the analysis of the processes embodied in design methods.

Software Design

provides a balanced view of the many and varied software design strategies most widely used by practitioners. By being aware of the strengths and limitations of each one, a student is better able to judge which to adopt when working in the field. The book is also valuable for software engineers and project managers who need an objective guide to the state of the art in this area.

David Budgen

is Professor of Software Engineering at Keele University, UK. A long-term student of software design, he has worked closely with the Software Engineering Institute in Pittsburgh to develop tutorial modules, as well as publishing many research papers on software design topics.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Review of ebook format
By Tora
If you have anything less than a 10" tablet, you may be better off getting a psyhical copy of the book. The text in this book does not flow based on the size of your tablet. It's the equalivent of having to zoom in on a PDF file and pan around to read the entire text.

This book only works on a kindle device, andriod or iPhone/iPad device. No using it with the kindle Web or Windows app.

0 of 0 people found the following review helpful.
Great Textbook
By Bill B
While the published date is a bit old, the book contents are very much relevant as the fundamentals of software engineering remain the same. We used this text in one of our grad courses and personally, I preferred it over Pressman's SEPA 8E.

0 of 0 people found the following review helpful.
Very abstract, very high level, very old
By Tom in Florida
If you have to buy it for a class, get it. Otherwise, find something that was written more recently. Although the 2nd Edition shows a 2003 date, the vast majority of the text is obviously out of date and was written about 20 years ago. It has one chapter on object oriented design and it discusses it almost as if it were a passing fad. If there's a 3rd edition, let's hope it gets rewritten and doesn't just get a few references updated.

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Kamis, 13 November 2014

[L338.Ebook] Ebook The Quiet Man: a Biography of the Hon. Ian Douglas Smith, I. D., Prime Minister of Rhodesia, by Philippa Berlyn

Ebook The Quiet Man: a Biography of the Hon. Ian Douglas Smith, I. D., Prime Minister of Rhodesia, by Philippa Berlyn

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The Quiet Man: a Biography of the Hon. Ian Douglas Smith, I. D., Prime Minister of Rhodesia, by Philippa Berlyn

The Quiet Man: a Biography of the Hon. Ian Douglas Smith, I. D., Prime Minister of Rhodesia, by Philippa Berlyn



The Quiet Man: a Biography of the Hon. Ian Douglas Smith, I. D., Prime Minister of Rhodesia, by Philippa Berlyn

Ebook The Quiet Man: a Biography of the Hon. Ian Douglas Smith, I. D., Prime Minister of Rhodesia, by Philippa Berlyn

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The Quiet Man: a Biography of the Hon. Ian Douglas Smith, I. D., Prime Minister of Rhodesia, by Philippa Berlyn

  • Sales Rank: #12990730 in Books
  • Published on: 1978
  • Binding: Hardcover

Most helpful customer reviews

0 of 0 people found the following review helpful.
The story of the last prime minister of Rhodesia.
By Elisabeth Tromm
A very good book with an insight of the live of Ian Douglas Smith.
His dry sense of humour, his early life in Seluwke,a small mining town in Rhodesia.
His life as a farmer and his family, Janet and his 2 adopted children and their own son.
The book reads like someone tells a story and difficult to put down.
I met Ian Smith and the author Phillippa Berlyn.
Both interesting people.

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Rabu, 12 November 2014

[V594.Ebook] Download Ebook Creating America: Reading and Writing Arguments (3rd Edition), by Joyce Moser, Ann Watters

Download Ebook Creating America: Reading and Writing Arguments (3rd Edition), by Joyce Moser, Ann Watters

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Creating America: Reading and Writing Arguments (3rd Edition), by Joyce Moser, Ann Watters

Creating America: Reading and Writing Arguments (3rd Edition), by Joyce Moser, Ann Watters



Creating America: Reading and Writing Arguments (3rd Edition), by Joyce Moser, Ann Watters

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Creating America: Reading and Writing Arguments (3rd Edition), by Joyce Moser, Ann Watters

This reader/rhetoric emphasizes the argumentative strategies readers need to analyze and write arguments. At the same time, it helps users see that Americans have always defined themselves and maintained a sense of unity—despite great diversity—through ongoing public debate about what America means. Selections reflect colonial times to the present, and include posters, photographs, advertisements, and court cases in addition to essays, poems, and stories that represent arguments in American culture, the art and craft of persuasion, writing essays, integrating research into writing, American dreams, justice and civil liberties, frontiers, war and violence, work and play, and family, identities. For those interested in argumentative and persuasive writing.

  • Sales Rank: #2176884 in Books
  • Published on: 2001-08-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.10" w x 5.90" l, 1.60 pounds
  • Binding: Paperback
  • 565 pages

From the Back Cover
This reader/rhetoric emphasizes the argumentative strategies readers need to analyze and write arguments. At the same time, it helps users see that Americans have always defined themselves and maintained a sense of unity—despite great diversity—through ongoing public debate about what America means. Selections reflect colonial times to the present, and include posters, photographs, advertisements, and court cases in addition to essays, poems, and stories that represent arguments in American culture, the art and craft of persuasion, writing essays, integrating research into writing, American dreams, justice and civil liberties, frontiers, war and violence, work and play, and family, identities. For those interested in argumentative and persuasive writing.

Excerpt. � Reprinted by permission. All rights reserved.

We developed the third edition of Creating America to provide a book that focuses on argumentation and persuasion in the context of American history and tradition: a book that brings together materials revolving around issues that have always concerned Americans. This edition maintains the focus of the previous two on argumentation in context, but with some major additions. The chapter formerly called "War and the Enemy" is now "War and Violence," to allow for a consideration of a wider range of materials and experience. Part 1, Contexts for Reading and Writing Arguments, is now four separate chapters. Chapter One, "Arguments in American Cultures," is an overview of the historical scope, design, and intent of the book. Chapter Two, "The Art and Craft of Persuasion," is a three-part assessment and analysis of distinct persuasive components. The first part of the chapter, "Persuasion and Audience," provides the rhetorical underpinning for argumentation, with explanations and examples of the relationship between rhetor and audience, the purpose and effect of Aristotelian appeals, and common uses and abuses of logic. The second section in this chapter, "Persuasion in Diverse Genres," discusses specific genres included in the text—essays, legal cases, fiction, poetry, film, advertisements, speeches, and so on—and illustrates the persuasive elements they share as well as those advantages that are unique to each of them. The final part of the chapter, "Elements of Persuasion," concentrates on those components that all writers use to some degree, such as assertions, examples, assumptions, definitions, and refutations, and that constitute the practical continuum of those underlying rhetorical assumptions discussed in the first part of the chapter. Chapter Two also contains two new student essays as illustrations: an analysis of visual persuasion in a famous Vietnam War photograph, and an analysis of refutation in the Supreme Court case, Brown v. Board of Education.

Chapters Three and Four are devoted to different but related aspects of essay writing. Chapter Three, "Writing Essays," moves students through the whole writing process, from strategies for pre-writing to developing a thesis, organizing an essay, and shaping an argument. In order to concretize these suggestions, we have also included, under the sections which discuss expository, analytical, and argumentative writing, examples of each kind of essay, followed by discussion of their rhetorical and developmental strategies. The expository essay, from the 1920s, is a paean to New York energy by a Korean immigrant—"A Korean Discovers New York." The analytical essay is a student's deconstruction of a well-known Vietnam anti-war poster which plays off the very famous James Montgomery Flagg World War I poster of Uncle Sam. And in the argumentative essay, a philosopher makes the case for "Affirmative Action in Context."

Chapter Four, "Research," is about integrating research into writing. Building on Chapter Three, it guides the student through all the steps of the research process: approaching a topic and gathering information (including on-line information); strategies for internet research, search engines, ways of evaluating web-based information, and sample web sites; detailed discussions and samples of library sources; and sections on drafting, revision, and documentation.

Teachers integrating the rhetorical material with readings, as well as teachers wishing to use the readings alone and teach with a different model of argument, such as the Toulmin model, will find a rich range of materials in Part II, "Argument in the American Tradition." Part II offers textual and visual arguments for analysis and discussion. Chapter 5, "Identities," includes a range of materials from early discussions of what is uniquely American to contemporary struggles of building community yet maintaining cultural identity. Chapter 6, "American Dreams," includes selections on both political and material dreams and success. Chapter 7, "Images of Gender and Family," offers different perspectives on what makes a family and what constitutes the particular roles and rights of men, women, and children; Chapter 8, "Work and Play," looks at the business of America—business; and at the business of play, or contemporary American sports. Chapter 9, "Justice and Civil Liberties," brings together core readings and images of American freedoms and the struggles that precede and accompany them. Chapter 10, "War and Violence," offers visual and textual arguments about how we idealize our friends and demonize our enemies. Chapter 11, "Frontiers," analyzes both the idea and the reality of the frontier and the West.

Each chapter includes an introduction to the core theme or issue. Selections follow, with headnotes for context and background information; journal prompts to guide reflective writing; and questions for discussion and writing, with a focus on analysis and argumentation. In each chapter we include a recommended film that should be available as a video rental in most colleges or communities. Most chapters also include at least one student essay, generally written in response to a chapter writing suggestion; inclusion of these essays is based on the premise that student writing is an appropriate focus for analysis and discussion.

Creating America, third edition, is designed for use in a first-year course in composition, particularly one emphasizing argumentative writing. The underlying pedagogy is based on an Aristotelian model, but it is informed by the theories of Kenneth Burke, Carl Rogers, and feminist critics. Our premise is that people use, to quote Aristotle, "all of the available means of persuasion" to argue a point; therefore, we do not treat argument and persuasion separately. Rather, we focus on the appeals to ethos, pathos, and logos, introducing induction and deduction under logos as the basic principles by which to evaluate and through which to develop arguments. The selections represent a range of arguments, from rather combative debate to more dialogic, narrative explorations of difficult questions and complex issues.

Excerpt. � Reprinted by permission. All rights reserved.

We developed the third edition of Creating America to provide a book that focuses on argumentation and persuasion in the context of American history and tradition: a book that brings together materials revolving around issues that have always concerned Americans. This edition maintains the focus of the previous two on argumentation in context, but with some major additions. The chapter formerly called "War and the Enemy" is now "War and Violence," to allow for a consideration of a wider range of materials and experience. Part 1, Contexts for Reading and Writing Arguments, is now four separate chapters. Chapter One, "Arguments in American Cultures," is an overview of the historical scope, design, and intent of the book. Chapter Two, "The Art and Craft of Persuasion," is a three-part assessment and analysis of distinct persuasive components. The first part of the chapter, "Persuasion and Audience," provides the rhetorical underpinning for argumentation, with explanations and examples of the relationship between rhetor and audience, the purpose and effect of Aristotelian appeals, and common uses and abuses of logic. The second section in this chapter, "Persuasion in Diverse Genres," discusses specific genres included in the text—essays, legal cases, fiction, poetry, film, advertisements, speeches, and so on—and illustrates the persuasive elements they share as well as those advantages that are unique to each of them. The final part of the chapter, "Elements of Persuasion," concentrates on those components that all writers use to some degree, such as assertions, examples, assumptions, definitions, and refutations, and that constitute the practical continuum of those underlying rhetorical assumptions discussed in the first part of the chapter. Chapter Two also contains two new student essays as illustrations: an analysis of visual persuasion in a famous Vietnam War photograph, and an analysis of refutation in the Supreme Court case, Brown v. Board of Education.

Chapters Three and Four are devoted to different but related aspects of essay writing. Chapter Three, "Writing Essays," moves students through the whole writing process, from strategies for pre-writing to developing a thesis, organizing an essay, and shaping an argument. In order to concretize these suggestions, we have also included, under the sections which discuss expository, analytical, and argumentative writing, examples of each kind of essay, followed by discussion of their rhetorical and developmental strategies. The expository essay, from the 1920s, is a paean to New York energy by a Korean immigrant—"A Korean Discovers New York." The analytical essay is a student's deconstruction of a well-known Vietnam anti-war poster which plays off the very famous James Montgomery Flagg World War I poster of Uncle Sam. And in the argumentative essay, a philosopher makes the case for "Affirmative Action in Context."

Chapter Four, "Research," is about integrating research into writing. Building on Chapter Three, it guides the student through all the steps of the research process: approaching a topic and gathering information (including on-line information); strategies for internet research, search engines, ways of evaluating web-based information, and sample web sites; detailed discussions and samples of library sources; and sections on drafting, revision, and documentation.

Teachers integrating the rhetorical material with readings, as well as teachers wishing to use the readings alone and teach with a different model of argument, such as the Toulmin model, will find a rich range of materials in Part II, "Argument in the American Tradition." Part II offers textual and visual arguments for analysis and discussion. Chapter 5, "Identities," includes a range of materials from early discussions of what is uniquely American to contemporary struggles of building community yet maintaining cultural identity. Chapter 6, "American Dreams," includes selections on both political and material dreams and success. Chapter 7, "Images of Gender and Family," offers different perspectives on what makes a family and what constitutes the particular roles and rights of men, women, and children; Chapter 8, "Work and Play," looks at the business of America—business; and at the business of play, or contemporary American sports. Chapter 9, "Justice and Civil Liberties," brings together core readings and images of American freedoms and the struggles that precede and accompany them. Chapter 10, "War and Violence," offers visual and textual arguments about how we idealize our friends and demonize our enemies. Chapter 11, "Frontiers," analyzes both the idea and the reality of the frontier and the West.

Each chapter includes an introduction to the core theme or issue. Selections follow, with headnotes for context and background information; journal prompts to guide reflective writing; and questions for discussion and writing, with a focus on analysis and argumentation. In each chapter we include a recommended film that should be available as a video rental in most colleges or communities. Most chapters also include at least one student essay, generally written in response to a chapter writing suggestion; inclusion of these essays is based on the premise that student writing is an appropriate focus for analysis and discussion.

Creating America, third edition, is designed for use in a first-year course in composition, particularly one emphasizing argumentative writing. The underlying pedagogy is based on an Aristotelian model, but it is informed by the theories of Kenneth Burke, Carl Rogers, and feminist critics. Our premise is that people use, to quote Aristotle, "all of the available means of persuasion" to argue a point; therefore, we do not treat argument and persuasion separately. Rather, we focus on the appeals to ethos, pathos, and logos, introducing induction and deduction under logos as the basic principles by which to evaluate and through which to develop arguments. The selections represent a range of arguments, from rather combative debate to more dialogic, narrative explorations of difficult questions and complex issues.

Most helpful customer reviews

5 of 7 people found the following review helpful.
Great anthology!
By A Customer
I loved this anthology,partly because of the very useful introductory materials on arugment and partly because of the range of readings.The first four chapters of the book work as a good intro to writing essays, conducting research, and understanding arugment, and the rest of the book not only includes a great variety of readings, but also offers a number of visuals and student papers, both of which have gone over very well wtih my students.

4 of 6 people found the following review helpful.
A solid American argument reader
By alice
This text covers a range of genres and eras. The pedagodical approach enables instructors and students to focus on the core issues of argument without getting lost in the terminology of some models (i.e., Toulmin). More visual materials would be helpful but the book does address visual rhetoric in a way that emphasizes argument.

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Kamis, 06 November 2014

[X262.Ebook] Fee Download Fire (A Companion to Graceling), by Kristin Cashore

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Fire (A Companion to Graceling), by Kristin Cashore

Fire (A Companion to Graceling), by Kristin Cashore



Fire (A Companion to Graceling), by Kristin Cashore

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Fire (A Companion to Graceling), by Kristin Cashore

It is not a peaceful time in the Dells. In King City, the young King Nash is clinging to the throne, while rebel lords in the north and south build armies to unseat him. War is coming. And the mountains and forest are filled with spies and thieves. This is where Fire lives, a girl whose beauty is impossibly irresistible and who can control the minds of everyone around her. Exquisitely romantic, this companion to the highly praised Graceling has an entirely new cast of characters, save for one person who plays a pivotal role in both books. You don't need to have read Graceling to love Fire. But if you haven't, you'll be dying to read it next.

This edition includes an article by and an interview with Kristin Cashore, as well as a sneak peek at her next book, Bitterblue!

  • Sales Rank: #22288 in Books
  • Brand: Dial
  • Published on: 2011-01-25
  • Released on: 2011-01-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.31" w x 5.50" l, 1.15 pounds
  • Binding: Paperback
  • 528 pages
Features
  • Fiction
  • Mystery

From School Library Journal
Starred Review. Grade 9 Up—This fantasy, shot through with romance and suspense, is set in the same world as Graceling (Dial, 2008), but on the far side of the mountain barrier in the kingdom of the Dells. Here there are monsters, enhanced and exceptionally beautiful versions of various animal species. Fire is a human monster, so beautiful that she has to hide her hair for fear of attack by both raptor monsters and human men. She is able to enter other people's minds and exert power over them. It is a tumultuous time in the kingdom, as various lords are preparing to overthrow the king, and Fire is drawn into the fray. With a larger cast and a more complex canvas than Graceling, the story begins slowly and takes its time establishing itself. Fire's path is not immediately clear, and although full of action, her quest is largely internal. While the plotting is well done, there are a few quibbles about Cashore's world-building and about the role of a major character from Graceling, Leck. But, this is Fire's story, and readers will fall in love with her as she struggles with her pivotal role in the war effort as well as her complex relationships with her oldest friend and lover, Archer; with Prince Brigan, whose mind is closed to her and who becomes central to her life; and with her monster father's fearsome legacy. More adult in tone than Graceling, this marvelous prequel will appeal to older teens, who will not only devour it, but will also love talking about it.—Sue Giffard, Ethical Culture Fieldston School, New York City
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"...this marvelous prequel will appeal to older teens, who will not only devour it, but will also love talking about it." --School Library Journal, starred review

"Cashore's prose has matured, growing piercing and elegant..." --Horn Book, starred review

"Fresh, hopeful, tragic and glorious." --Kirkus, starred review

"Surpasses Cashore's debut and paves the way for further exploration of a world in which readers will happily immerse themselves." -- Horn Book

"...tension...keeps the pages turning."

Review
"...tension...keeps the pages turning."

Most helpful customer reviews

114 of 122 people found the following review helpful.
Even better than Graceling!
By The Compulsive Reader
Fire is an outcast in her society, her vibrant and unnatural hair color an indicator of her monster status and her dangerous powers of mind control. She's the only one left of her kind, and she resides far out in the country where she is safe from those who fear her and would harm her.

Meanwhile, King Nash is struggling to hold on to his kingdom as enemies from the north and south threaten to overthrow him. Both Nash and his brother Brigan distrust Fire for the havoc her father wreaked on the kingdom before his death, and Brigan would like nothing more than for Fire to be killed. But now, unless they find a way to resolve their differences and work together, they'll never win the impending war.

In this prequel to Graceling, Kristin Cashore has woven an intricate and brilliant tale that reveals a whole new world beyond Katsa's seven lands, full of fantastic creatures, strange powers, and a land teeming with political tension. For the most part, the characters in Fire are made more mature than Graceling's protagonists by the complexities of their past. Fire is a strong heroine, tough and fiercely independent, but loyal and kind through and through. She is genuinely thoughtful, and her concern for others stands out, especially as she struggles to reconcile her own nature and her father's actions with who she wishes to be.

The beginning of the book is slightly slow, but in no time at all it speeds up as Fire is launched out of her comfortable world and into an unknown and dangerous one. Cashore's plot is wonderfully complex and elaborate, but tight and solid. Fire also deals with many emotions--guilt, regret, fear, love, and empathy--in a very affecting way. Cashore is a master at using all of these elements to create a suspenseful, surprising, and totally engaging read. Though Fire is not a happy, warm book all of the time--it deals with death and violence and life's cruelties, but in a sensitive and optimistic manner, it has its moments of humor and romance. Cashore's talent for pulling off such an epic and engrossing read makes her one of the best YA fantasy writers since Tamora Pierce first introduced her character Alanna to the world. If readers weren't already in love with Cashore after reading Graceling, they will be after reading Fire.

82 of 93 people found the following review helpful.
If Kristin Cashore released a book every day I'd never leave my house.
By Erin Satie
Gosh, FIRE is a fantastic. Before I read it, I would have insisted that anyone who thought FIRE was better than GRACELING had to be crazy, because how do you improve on perfection? So instead I will say that FIRE is equally good, while being a very different book.

FIRE takes place in the same world as GRACELING, but there is little crossover. It's a prequel, set at least a decade before GRACELING, and only one character appears in both books. The two can be read in any order.

The story takes place in the Dells, where there are monsters but no gracelings. Monster horses, monster mice, monster leopards, monster versions of every species - including people. The monsters are identified by their vivid coloring - "A dappled grey horse in the Dells was a horse. A sunset orange horse was a monster." - and they are so beautiful that onlookers, mesmerized, simply offer themselves up as prey. Mesmerizing beauty is a dangerous enough quality in a predatory animal - in a monster person, it is inevitably wedded to powers of mind control. Two years before FIRE begins, the Dells were nearly destroyed by a monster human, Cansrel, who used his political influence to bring the country to the brink of war.

Fire, the heroine, is Cansrel's daughter. The only living monster human in the Dells, at seventeen she is burdened by a terrible fear that she is evil like her father, and profound guilt because of his misdeeds. She hides her beauty, which drives other humans insane with desire, lives in an isolated corner of the kingdom, and uses her powers of mind-control as rarely as possible. Fire's closest friend and sometime lover, Archer, thinks she is only safe when alone in a room, behind stone walls. But Fire doesn't think that's much of a life, and when Prince Brigan arrives at her homestead with a request for aid, Fire agrees to journey to the capital to interview a spy caught in the palace. Brigan is deeply suspicious of Fire - he knew Cansrel, and is sure the apple cannot have fallen far from the tree - and Fire soon discovers that any aid she might offer to the King will probably violate the careful ethics she has cultivated her whole life. To do good, she must do harm.

It's a complicated, layered plot and I won't say any more about it. The characters are amazing, in their complexity and intensity and believability, and the writing is gorgeous. FIRE (and GRACELING) are fantastic books - they will satisfy young readers and adult readers alike, they will satisfy picky readers and readers just looking to be swept away into a marvelous fantasy. They will satisfy readers who like adventure, intrigue, and romance. The characters - even the villains - are interesting, intelligent people; and the twists and turns of the plot are unpredictable.

Highly, highly recommended - read this book!

32 of 37 people found the following review helpful.
Such a different book from Graceling
By Paul O'Connor
After reading "Fire", I will never let anybody say that Kristen Cashore is not an ambitious or talented writer. Although this book is supposed to be a prequel to "Graceling," it has so little in common with "Graceling" that it really should be considered a totally different book in a totally different world.

Others have attempted to describe this story but they have failed badly. "Graceling" was about survival against all odds, this is a familiar type of story for most fantasy readers and it was easy for us to fall in love with it.

"Fire" is about wounds, both emotional and physical, and how people deal with them. This is a highly unusual and demanding story both for the writer and the reader. Cashore handles the subject with impressive grace and wit but perhaps drives the characters (and the readers) too far which explains most of the negative comments. Many reviewers, for example, comment on excessive sex in the story, excessive sex is just one of the many ways that people wound themselves and each other and so it is altogether appropriate to this story.

I was equally impressed by the size and depth of both the story and the required body of knowledge to support it. For example, she is required to write knowledgeably and entertainingly about:
- The why's and wherefore's of military organization and logistics (keeping this entertaining can be a particular challenge)
- The true nature of horse love (lots of drool is frequently involved)
- The strengths and weaknesses of the human spirit (a topic so broad that many authors spend the rest of their lives trapped in it)
- The politics and tactics of civil war in a medieval society (always entertaining, rarely pleasant)

There were some unexplained plot holes (such as why monsters prefer to eat each other) that weakened the story but overall this book is an amazing accomplishment and I'm impressed with the talent and audacity of the author in even attempting to tell such a story, much less getting it published. This showed great dedication by both the author and the publisher.

In summation, I was deeply impressed by "Fire" and enjoyed it quite a bit but it was just too hard and painful a story to read to earn a 5 star rating. However I still look forward to her next story with great anticipation.

Addendum: My two teenage boys have both finished the book and given in glowing reviews. They particularly liked Fire's maturity and felt that the book was better than Graceling so I'm bumping the book up to a 5 star review. Congratulations, they are a tough audience!

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Minggu, 02 November 2014

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