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Learn to paint with groundbreaking new techniques for a favorite medium!
• Dazzling colors, incredible realism—with simple step-by-step demonstrations
• Easy-to-follow instructions from a top colored-pencil artist
• Master the wide range of colored pencil effects possible, including blending, layering, translucent effects, and more
Radiant color…painterly finishes…astonishing realism…with colored pencils! Achieve rich, luminous color and eye-popping ultra-realistic effects. Artists of every level will be inspired by the amazing new techniques created by Alyona Nickelsen, presented in�Colored Pencil Painting Bible�for the very first time.
Nickelsen’s innovations will delight readers and detailed you-can-do-it processes bring her striking results within reach for every artist. Take colored pencils beyond the ordinary with�Colored Pencil Painting Bible!
- Sales Rank: #24568 in Books
- Brand: WATSON-GUPTILL
- Published on: 2009-03-17
- Released on: 2009-03-17
- Original language: English
- Number of items: 1
- Dimensions: 10.50" h x .56" w x 8.53" l, 1.70 pounds
- Binding: Paperback
- 192 pages
Features
- Used Book in Good Condition
About the Author
ALYONA NICKELSEN is an award-winning artist whose work has been featured in numerous national and international exhibitions as well as in most of the country’s major art magazines, including American Artist, American Artist Drawing, The Artist’s Magazine, International Artist, American Art Collector, and Art Business News. Ms. Nickelsen is a signature member of the Colored Pencil Society of America. Ms. Nickelsen lives with her family in Southern California.
Most helpful customer reviews
172 of 176 people found the following review helpful.
Truly the Bible of Today's Colored Pencil Techniques
By Naomi Manygoats
Finally- a truly outstanding and beautifully researched and presented book on today's colored pencil artwork. The appendix alone is worth the price of the book- which has charts showing the lightfast ratings of (almost) all major brands of colored pencils (including the brand new Caran d'Ache Luminance pencils, Derwent Colorsoft, Faber-Castell Polychromos and many more)...well, all except standard Prismacolors since the manufacturers would not give the author that information. A very useful color index is also given for colors when it was available, which gives you information about what pigments were used in the manufacture of the pencils...and another thing I have been wanting- an up-front break-down of which pencils are waxed based and which are oil based.
This book has all the information you will need- such as materials, including much needed information on solvents to achieve a paintery look that puts colored pencils out of the 'drawing' stage and into the 'fine art painting' stage. Information about how to rough up paper to achieve certain effects (such as orange peel)and how to frame colored pencils is included, and a great (and easily understandable) section on color theory, light (and shadows). Her explanations are so clear and easy to understand that they are like a breath of fresh air.
Mastering Essential Techniques is a terrific section, that includes the use of photos and photoshop. I loved seeing the equipment she uses too- including the new electric hot and cold colored pencil drawing tablet.
A truly exciting section is included on creating surfaces and textures that includes:
Backgrounds (my real weakness)
Greenery (grass and leaves)
Flowers including white petals (very difficult for me to handle)
Water (including dewdrops, liquid, and ice)
Fire (I have never seen this included- I want to do volcanic eruptions)
Surfaces (beautifully done Wood, Silver, Pearls, Cut Crystal, Fabric, Denim, Lace)
Fruit and Vegetables
The book contains a large section on practicing with simple still lifes, which have downloadable patterns and reference photos from the author's website including a pair, cherries, an orange, Indian corn, a dandelion, a wooden mortar and pestle, crumpled lined paper, eggs, a clear glass of water, multicolored glass saltshaker, marbles, a swirled glass perfume bottle. The exercises go from simple to very complex and challenging. After I finish them all I have no doubt that I will be able to paint almost anything in colored pencil.
In short, I have loved colored pencils with a passion since the '70's, but still, many decades later, get frustrated with the results and techniques that I have found in other colored pencil books (in particular trying to use complementary colors which always seemed to grey out my result)- so I piddle along off and on and do my own methods...which have not given me results I can be happy with, so I put down the pencils and switch to other art forms off and on. This book inspires me to work through the exercises with the author, read every word, and in short, finally get serious about colored pencil art.
I hope the author covers water-soluable colored pencils in a future volume.
Oh, and a big thank-you to the author about speaking out on using your OWN set-ups and photos, and not copying other's work (for gallery sales and shows), as well as not printing out photos and coloring over them and calling them original CP work. This is useful information that a lot of artists do not understand the legal implications of, and I for one am very grateful that all new CP artists will have a heads-up. This should give CP work added integrity in the art world.
122 of 126 people found the following review helpful.
Good for advanced artists. Not very good for beginners.
By R B
If you're an intermediate or advanced artist with colored pencil experience this is a good book.
If you're new to colored pencils like I am this is not the right book for you. It starts out covering a lot of things as if you have never used colored pencils, then moves onto advanced topics.
What bothers me is the book title and description saying: `incredible realism- with simple you-can-do-it-processes!'. Which is very misleading. Same thing when you look inside the book and see it starting with basics like colored pencil choices and paper choices. I assumed that it was going to progress from the very basics all the way through.
The highest rated 5-star review is titled: `Great for beginner to expert' and says: `If you have no experience with colored pencils or colored pencil realism, this book will take you from total beginner to gallery level brilliant hyper-realism'.
Almost every example goes something like this: I layered black, blue, red and green on the background and used yellow, pink, etc on the light areas. And it shows one small photo of the drawing. Then I applied a solvent and touched up areas. Then showing a beautiful completed photo. I would have appreciated to see way more steps and photos.
If you're a beginner I would recommend to start drawing and watching online tutorial videos. With the videos you can watch the artist drawing and pause the video while trying to recreate what they are doing. Once you understand color better and how to make decent looking drawings then look into this book.
I don't know who would disagree with me about that. You should be able to draw a decent drawing with colored pencils BEFORE you try to create ultra realistic effects. You need a lot of experience drawing and working with colors and so much else to create drawings that look ultra realistic. It's not just a matter of following along with the 'simple you-can-do-it-processes' in this book.
A more accurate title would be `advanced colored pencil techniques'.
137 of 146 people found the following review helpful.
Outstanding!
By Captain Doc
This is an outstanding and exciting book for those of us who love the control and feel of pencil drawing, but have longed for the intense colors, textures and realism of other media such as oils or acrylics - yet didn't want the expense and mess of those methods. Alyona's text is extremely well written - clear and helpful, with excellent illustrations. The examples of her art contained in the book are stunning. She also will provide pdf files via email of outlines and original photographs for the student to use in learning and practicing the techniques outlined in the text, for those who purchase the book and then contact her. Her correspondance with me clearly indicates her desire to instruct and share the joys of colored pencil with others, an enthusiasm quite clear throughout the book as well.
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